Olga Zdorenko piano concert
Teatro dei Differenti per la rassegna "PianoBarga 2007" concerto della pianista ucraina Olga Zdorenko interamente dedicato alla musica russa fra Otto e Novecento, con musiche di Scriabin, Shostakovich e Mussorgsky.
È il terzo appuntamento con la musica pianistica all'interno del Festival Opera Barga, che da alcuni anni dedica una speciale attenzione ai grandi talenti internazionali del pianoforte.
Olga Zdorenko, nativa di Kiev, ha potuto studiare con Rudolf Buchbinder e Sergio Perticaroli all'Accademia di Santa Cecilia.
Nel suo curriculum, in cui si contano alcune prestigiose vittorie in concorsi internazionali (fra cui il Carlo Soliva nel 2002) si legge che nonostante la giovane età ha avuto la fortuna di approfondire il repertorio con un gigante del pianoforte, il pianista e direttore Carlo Zecchi, incontrato a Roma nel 1991. L'anno precedente Olga Zdorenko aveva esordito a livello internazionale al Festival di Basilea.
Il suo repertorio spazia da Bach ai contemporanei, ma per il suo debutto a Opera Barga la Zdorenko ha impaginato un programma interamente dedicato ai "suoi" autori russi: aprono sei Preludi op. 13 e la Sonata n. 5 op. 53 di Alexander Scriabin, brani in cui il compositore moscovita introduce a piene mani sensibilità tardoromantica e arditezze armoniche, poi il 24esimo Preludio e Fuga op. 87 di Dmitri Shostakovich, quindi, nella seconda parte, i celeberrimi Quadri di un'esposizione di Modest Mussorgsky. Un capolavoro assoluto scritto di getto nel 1874 da un Mussorgsky suggestionato dalla mostra postuma di quadri e acquerelli di un suo caro amico, l'architetto Viktor Hartmann, morto l'anno prima. «Hartmann bolle come bolliva Boris – confidò l'autore a Vladimir Stasov – I suoni e le idee sono sospesi nell'aria, e io li assorbo fino a rimpinzarmene, e ho appena il tempo per buttarli sulla carta».
Click on the link below to hear Olga playing part of Alexander Skrjabin's 6 preludi, op 13 Sonata n.5
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- W. Shakespeare : Lear? Not at all! Those words are lifted from Macbeth's soliloquy:"....L ife's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing."
- Quentin Compson : Yes, Ma'am. It would be King Lear I believe, an allusion to the fool (and to Lear himself). But there is a more recent connection between Yokapatawpha and the Coldfields with a Biblical reference -- Absalom -- rather than the Shakespearean one to which you allude.
- poetry : Miss Coldfield, considered poetess laureate of Yoknapatawpha County, may simply be quoting Shakespeare, I do believe.
- Quentin Compson : Rosa: Stay in your own novel, please. You have no business in The Sound and the Fury, although I appear in both.
- Quentin Compson : Doggy, May I refer you to three sources on the Action-Theory dialectic? Albert Camus: "To do is to be." Jean-Paul Sartre: "To be is to do." Francis Albert Sinatra; "Do be do be doo." That should answer your question.
- Rosa Coldfield : ... it is a tale Told by and idiot, full of sound and fury, Signifying nothing.
- doggybag : Quentin - your constant focus on ideas over deeds makes you a highly unreliable commentator- quite often it is difficult to tell which of the actions you are suggesting are mere figments of your imagination and which you really do think should be acted upon.
- Quentin Compson : Hey, you two ought to get together sometime.
- Rosa Coldfield : Why of course : )
- Thomas Sutpen : Miss Rosa knows very well who will merely endure, and who will ultimately prevail
- Rosa Coldfield : It is not entirely clear, however, who has been sorest lately or with whom ; )
- Lord Beaconsfield : Welcom back, Barganews, you were sorely missed
- doggybag : fingers and legs crossed
- Santi : Thank you for answering my question.
- Cartier-Bresson : What a wonderful image of the equally wonderful Maestra Paola -- that could be no one else's elegantly gloved hand...
- Guest_4784 : the girl behind the bar is in the ALTANA rest. just inside the old city
- message for Santi : Altana
- Santi : O.K. Which bar is it?
- doggybag : Hello Santi - no - not the Alpino
- Santi : Is the daily image of the girl behind the bar is of Alpino?
- Casey Jones : Summer bus schedule to real station: see Forum Aug 5.
- aquilotta : Hi Doggybag! sorry haven't been in touch for so long. Love your daily images as always.
- Guest_3522 : And here I thought there were roadents eating my main board.
- doggybag : you are welcome Guest_689 ... now if I could just fix the sound streaming system with is doing a serious chipmonk impression on some computers
- Guest_689 : Dear Mr Braganews Thank you for fixing the webcam
- Guest_3522 : Scottish emigration to Malaysia ? - see «link»
- Guest_878 : the most scottish town with the most scottish idiots
- Guest_3522 : Re: Daily Images 26 July: Let us fervently hope that being "Italy's most Scottish town" doesn't bring more of this UK-style tagging and yobbish hooliganism to Barga. The vandals in question were two young men from Scotland. «link»
- doggybag : sorry Guest_4772 - the hordes of barganews technicians are working on it day and night -- expect some results shortly
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- Guest_878 : è più bella alla volta dei Menchi, c'è un barista molto attraente.
- Guest_2204 : Salve sono kate da londra, chi mi puo spiegare come mai alla festa del centro storico manca SPIAGGIA LIBERA???? Era troppoooo bella!!!!!
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- w le piante : la gente non si fida piu' perche' troppi alberi sono stati abbattuti inutilmente, significa che non c'e' rispetto per le piante e quindi per la natura. come mai questi alberi sono sopravvissuti tutti questi anni e improvvisamente si ammalano e diventano pericolosi? forse dovremmo rivedere il modo in cui le piante vengono potate e fare piu' prevenzione?!?
There has to be a way to get more people into the audience. The musicians in this year’s Opera Barga Festival have been sensational.
Couldn’t agree more. Clearly the ticket prices are no deterrent, as they are already a steal. There are probably a number of factors at play, including: a) time of year - there’s so much going on all around; b) advance information about the programmes and how to get tickets - I know that more thought is going to be given to this aspect to do better next year; and c) lack of reviews: I don’t know how these things work here, but in the UK audiences build up over time as concerts get good reviews and word gets round that it’s worth making an effort to attend the next one or series.
I’d suggest that there are a number of possible things to think about, some easier than others. They include: a) setting up some kinds of Friends of the Festival scheme, to build up a loyal core of supporters. But this needs a fair bit of effort, and the Festival organisers are already very busy and could do with more admin resources; b) giving out questionnaires at concerts asking for feedback and trying to pin down what would make people come back; and c) including a children’s event in the Festival programme: there was one earlier, but for schoolchildren here rather than visitors with families. I’m sure there are others. But it’s important to remember that, as I understand it, everybody involved in the Festival, organisers and musicians alike, does so for love and enthusiasm rather than for financial reasons; and that’s why this Festival is so special.