Millenovecento at the Barga Jazz Club
A quartet that began from the human and musical feeling between Nico Gori and Stefano Onorati. Their collaboration covers various formations: ranging from Duo right up to Big Bands. The creation of this group is therefore a consequence of their course, going beyond a simple and sporadic collaboration. Together they approached various musical styles but quickly discovered that their musical direction was always imbued with the same motivations, as well as an identical love for experimentation. Two great personalities joined them in this project: Franco Nesti and Ettore Fioravanti, musicians who add to the emotional impetus of the group
The name “Millenovecento” (Twentieth century) sums up what the group expresses when playing. In fact the jazz language developed in the Twentieth century, from traditional to free jazz, passing from be-bop to more recent influences: the development of “contemporary” music, the “song”, the increasingly ethnic influences and all that they tell and teach on a spiritual level. The musical organization of their repertoire is, however, not the prevailing factor. The strength of expression and the sound’s intensity push their music to explore new landscapes, seen from different views and heights, living the moment to the fullest, thanks to the great understanding between the musicians in their performances.
Il nome “Millenovecento” raccoglie in se quello che il gruppo esprime suonando. Infatti è nel ‘900 che si è avuto lo sviluppo del linguaggio jazzistico, dalla tradizione al free, passando dal be-bop alle contaminazioni più recenti. Lo sviluppo della musica “contemporanea”, la “song”, le sempre più forti influenze etniche e tutto quello che raccontano ed insegnano specialmente sul piano spirituale. L’organizzazione musicale del repertorio, però, non ha la prevalenza. Sono la forza espressiva, l’intensità del suono che spingono la musica verso territori sempre nuovi, visti da varie angolature, da diverse altezze, vissuti sul momento, sfruttando la grande intesa che unisce i quattro musicisti nell’esecuzione di brani originali e non.
Nico Gori - clarinetto/sax (site here)| Stefano Onorati - pianoforte (site here)| Ettore Fioravanti - batteria (site here)| Franco Nesti - contrabbasso (site here)
The site for Millenovecento can be seen here
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- Quentin Compson : Yes, Ma'am. It would be King Lear I believe, an allusion to the fool (and to Lear himself). But there is a more recent connection between Yokapatawpha and the Coldfields with a Biblical reference -- Absalom -- rather than the Shakespearean one to which you allude.
- poetry : Miss Coldfield, considered poetess laureate of Yoknapatawpha County, may simply be quoting Shakespeare, I do believe.
- Quentin Compson : Rosa: Stay in your own novel, please. You have no business in The Sound and the Fury, although I appear in both.
- Quentin Compson : Doggy, May I refer you to three sources on the Action-Theory dialectic? Albert Camus: "To do is to be." Jean-Paul Sartre: "To be is to do." Francis Albert Sinatra; "Do be do be doo." That should answer your question.
- Rosa Coldfield : ... it is a tale Told by and idiot, full of sound and fury, Signifying nothing.
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- Santi : Is the daily image of the girl behind the bar is of Alpino?
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